The tenth day of the Venice International Film Festival brings to the Lido An intense day dedicated to Italian musictold through three documentaries who explore creativity, introspection and artistic regeneration: it is time to Francesco De Gregori Nevergreen by Stefano Pistolini, Nino 18 days of tones of angel e Piero Pelù – noise inside by Francesco Fei, works that investigate the relationship between artist and the public respectively, the family dimension of music and the resilience of the artist in the face of difficulties.
On the red carpet of Francesco De Gregori Nevergreenthe singer -songwriter brings the intimacy of his Milanese residences to Lido: twenty concerts in a small theater, with selected stairs of lesser known songs, transform each evening into a unique experience for two hundred spectators. The documentary captures the dialogue with the public And the detail attention of an artist who transforms every gesture and every note into a personal story.
Nino 18 days Instead, Nino’s path follows, between preparation for the return on stage and family dynamics, exploring the link between private life and artistic path. The documentary returns the artist’s vulnerability and determinationshowing how music can become bridge between generations and moment of intimate sharing, capable of telling the most deep newspaper and emotions.
In Piero Pelù – noise insideFrancesco Fei tells The drama and rebirth of Italian rocker After a serious fainting in the engraving room which caused permanent damage to the acoustic nerve. The documentary shows how forced silence becomes an opportunity for introspection and creative regeneration, transforming the difficulty into a new artistic and personal impulse.
The tenth day of the Festival thus confirms Venice’s ability to give space to a rigorous and exciting Italian cinema, capable of telling music not only as art, but as an emotional and personal experience. The Lido once again becomes the scene of stories that excite, reflect and involve, offering the public a unique look at the contemporary face of the national musical narrative.
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