After the interview with Fagnani, the 365 -day actor shares his thought on Instagram: “He is a self -referential circle full of hypocrisy”.
“Sooner or later someone had to say it.” And Michele Morrone has decided to say everything. After the interview a Belveaired on May 20, the actor decided to reiterate his thoughts also on social media and speak once again about Italian cinema today.
The interview a Belve With Francesca Fagnani
A direct attack, personal and without filters, which feeds a heated debate on the Italian cultural system. The fuse had already been turned on last night during the episode of Belvewhen Morrone, stuck by Fagnani, had replied with a pinch of provocation to the request to appoint three better actors than him: “Alessandro Borghi”.
And three worst? “Almost everyone,” he replied. A joke that immediately discussed and that led the actor to further clarify his thought through Instagram, where he published a long message to reiterate his detachment from the Italian film system.
“I don’t feel part of Italian cinema”
“It is a thought that I have long been and, believe me, I’m not the only one,” writes Morrone. According to the actor, Italian cinema would be governed by a closed and self -referential elite, which excludes those who do not fall into certain ideological or academic schemes.
“If you have not studied at Silvio D’Amico or at the Experimental Center, you are nobody, if you don’t think about it with your heart on the left you are just a fascist,” Morrone denounces, criticizing what defines the hypocrisy of the world of entertainment. “You broke the ca ** o,” writes in no uncertain terms.
The attack on the ideology of the “fake commitment”
But his outburst goes beyond criticism of traditional training. Morrone points his finger at what he perceives as a false political consciousness of Italian author cinema. “Sad and fake drunk poets, but with luxurious apartments and villas to the sea,” he writes, accusing the most celebrated actors of reciting social roles just to please a certain imaginary.
The reference to Luca Marinelli is explicit: “People who ‘feel bad’ for interpreting the Duce, but recovers very well after having collected millions,” says the actor, questioning the authenticity of their civil commitment.
An invitation: “Do politics, not cinema”
In the final jokes of his message, Morrone launches a hard provocation: «If you really want to make revolutionaries, go down in politics. Candidate yourself and try to really change something ». The tone is bitter, direct, exasperated.
And he closes with a storage to the “moralist” speeches from the stage: “Of the post-premiazioni David di Donatello spectacies we broke the ca ** o”.
