The actor criticized the circol of progressive artists on TV and on social networks “who make the exclusive fakes” and who, after winning a David, “feel of the earth”. They are the same ones who complain because the right “cuts the funds”. But they make films that nobody sees
I don’t know Michele Morrone And, not being a great cinephile, I did not see his most famous film, a pole film with erotic background entitled 365 days. However, even without having knowledge of his qualities as an actor, I was struck by what he wrote after participating in the transmission of Francesca Fagnani On Rai. In Belve, Morrone He had said he did not love the world of Star System and national prizes. «I have not found in the Italian actors the humility of the Hollywood stars, who have the Oscars by the David. Here for 30 years they have been rewarded with each other ». And the message was already clear. But then, on Instagram, Morrone It has been even more explicit and gave a sound slaughter to cinematographers who, despite having never made a decent film in their life, attract them to cultured and busy intellectuals.
The post is a perfect criticism of the Circolino di Artisti Engagé, to the Gauche Caviar of Cinecittà. “I do not feel part of a cinema, the Italian one, who sings and plays it alone, full of prejudices against the” different “who, if you have not studied at Silvio D’Amico or at the Experimental Center, you are nobody, if you don’t think about it with the heart on the left you are just a fascist, if you do not use Clark shoes and do not give the idea of being screened you are not a real actor”.
Morrone It will not be a great interpreter or, perhaps, he has not yet shown him. However, unlike many who are ready to digest anything to make career, giving up their history, at least has clear ideas and does not affect the cultural conformism of the Nouvelle Vague of the progressives with the camera. “Artists who make the fake democratic, left -wing inclusive who, after taking a cock of David, feel like getting out of the ground and allow themselves the luxury of making left morale not because they really keep their country, but simply because it is cool to be the actor engaged in social and in politics”. Agree, Morrone it does not have the refinement of a Pier Paolo Pasoliniwho attacked the demonstrators who beaten the policemen or whitewashed sepulchres of communist progressism; However, it does not seem to me that defects of courage in accusing the system that dominates the parish of local directors and actors. Shows no hair on the tongue in criticizing the partner Luca Marinelliactor who has played Mussolini But then he heard the duty to apologize for having dressed the role of the dictator.
«Sad and fake cursed poets, drunk with Rimbaud And Baudelairebut with luxurious apartments and villas by the sea (Rimbaud There was no lira). You are sadder than your own ideas. People who “feel bad and have suffered” for playing the role of the Duce but who, as if by magic, recovers very well from this tumult after having collected 1.5-2 million euros. Pathetics ». The portrait that Morrone He makes his colleagues is fierce, but he fits with brush on directors and culturally committed actors, ready to marry any cause, including that of the energy transition, however forgetting the abusive penthouse that have built themselves in the center of Rome. They are the same who are indignant if in the theater that bears the name of dad, a conference on reimmigration is held, but if someone proposes to host two Syrian refugees always find an excuse that justifies them, saying that they have already done a lot for the cause of the non -EU citizens. They are the ones we saw complaining to the Quirinale for the revision of the funds that the state every year delivers to films that no one sees and that make the spectators flee.
For them, the fascist right wants to gather art. In reality, as we have shown by publishing the list of funding that the Ministry of Culture has distributed hands down over the years, there is no art to come across, but only poor films to forget. There is no masterpiece to defend, but only the interests of a lobby that has been a system and that has been in terms of years despite the failures, accusing the “people” of the halls of not understanding it.
This is why if there was an Oscar to reward frankness and nonconformism, Morrone He would have already won it.
