Young, uninhibited and very followed on social media, as male colleagues affect the lyrics of the songs with references to drugs, alcohol and violence. And their videos run undisturbed.
They are young, very followed on social networks and not inclined to self -censorship. Baddie Girl, literally “bad girls”, are defined, and present themselves with an aesthetic and a swagger, provocative and above the lines. With an armor of symbols that fishing with full hands from the male trap repertoire. They speak of drugs and alcohol. Sometimes of violence.
And they encourage to be a bullshit as if it were an act of emancipation. Some are already finished on the covers of the magazine, on Spotify in the editorial playlists. Others remain in a gray and flammable area, made of Tiktok, freestyle Sbraitanti and thousands of views collected by girls who are mirrored in their texts as in a behavior manual. Here are the Baddie Girl who animate the new Italian scene.
The best known and most commercial is Anna. Anna Pepe’s art name, pop patina intertwined with shades by Maranzetta. In Come from the Baddie he sings: “I go down from a half gangsta, too much vodka, my head turns”. There is talk of good nights, toxic relationships, and emotional disorientation: “I made him a promise, when I go down, I take him to the hotel”. And in the last song, Désolée, which is presented by the online printing in the sector such as the catchphrase of the summer 2025, says: “I missed this party, I came to look for you after the third Mescal. Tonight I do not do properly, I show everyone how you drink ».
The forerunner, masked and iconic, is Myss Keta. She showed up in 2013 with Milan Sushi & Coca where without turns of words says: “stripes, lines and fashion, vodka, keta and soda”. This year the album point came out. And in Les Misérables sings: “Drugs the algorithm, rhythm”. In Nuvrotika, however: “No law is ketacrazia”. But it’s not over. He defines himself as “lover of entertainment and boiserie” and to present himself he uses this sentence: “They call it Miss, overwhelmed like this”.
Then there is Chadia Rodríguez, Italian-Marocchina, born in 1998the first real trapper to break into the scene with the gangsta attitude. His texts explicitly speak of sex, weapons, high. In white smoke (2022, editor’s note), Chadia states with glacial tone: «Turn a flag rod. Smoking, fucking and eating for today is enough for me ». The drug theme has not abandoned it and also adds alcohol. In the latest album, of April 2024, it breaks these words: «And the night looms between Tequila and Dompe. Smoking confuses me, I speak with shadows ». On social media it seems to have more haters than fan, but in the meantime she has managed to impose itself. And to open the door for the others.
Still emerging, but already clearly visible on the map of the Italian women’s trap, is Fabi WallaceTurinese, born in 1995. Six years ago to promote legal cannabis, he was resumed with an envelope full of marijuana in his hands. Then, in a freestyle on Tiktok, covered by a burqa, it is explicit: “‘This stuff that is ined is really good but he kills my throat”.
Cryptic and aesthetic nickname from decadent cyberpunk, however, for Aydiddi. Always in a suit, it presents texts of this type: “I still exchange the grappa for water but now to alcohol I am more resistant”. It is Italian-Albanian and presents itself as follows: “Blood from Albanian and the Italian mentality … It acts as a first weapon … and the anger are affiliated”.
In Shqpe (translated: Albanian) he feels that he interpreted the traditional thought of the land of origin: “From Vera Shqpe I know the values and all the unwritten laws, the family always goes to first place and for them I could also kill”. And with one hand he pretends to point a gun.
The most rough is Coco93. It comes from urban environments where trap is not only fashion, it has become a culture. «I want my fucking empire. I want cash, money, parmesan. In my world he reigns hatred, here we do not know love ». The video on Tiktok of La Rue a Ses Bandits starts with a helmet without a helmet on a coss -based cross bike in the peripheral roads. Then she is sitting behind and mimic to shoot towards the camera with a rifle. Finally, in one of the autobiographical texts, there is a reference to self -harm: “I saw the cuts on the skin”.
One of the most provocative, by choice and marketing, is Doll Kill. In Metempsicosis he warns: “I have the weapon charged inside the room.” His fanbase is young, very active on Instagram and Tiktok. Music is almost a pretext: the character counts, the visual narrative.
The Baddie Girl scene is not just musical. It is a content to itself. On Tiktok, the hashtag #baddietrapiampreian collects dozens of videos every day. Very young girls imitate their idols, they recover while Mimano sniffed, show alcohol bottles, speak of unanswered sex.
The message comes to a minor public, often unaware. Violent or explicitly related to drug texts are not always reported. Nor filtered. And the videos run undisturbed.
